If there is a complaint I read around here every day is the difficulty when it comes to smoking, reflecting I decided to create a guide with brush tips, shadows and a mini tutorial Come with me!
BRUSHES
- 224 MAC: my favorite soft hairs that smudge very easily without hurting the eyelid Sigma E40: also good.
- But a little chubby for the little eyes E35 from Sigma: I love this brush.
- It fades with precision.
- It is practically the Like the MAC 224.
- It’s more dense.
- That is.
- You have to have a light hand.
- But I think it’s great.
- If I didn’t have the 224.
- I’d be happy with it!.
#ficaadica: when spreading, lightly touch the brush on the skin, without forcing. Ai with circular movements (making several balls) will blur the shadow. Patience is the key word (and mirror of those WHO INCREASE as well).
shadow
The brown shade of? Passage and color? It is responsible for creating the smoky gradient, which makes everything much easier and beautiful. I use the four above (they look alike but they are not) and they are divided into two ranges:
LIGHT BROWN >> Kid by MAC: a beige? With a pink background, it dissolves dark tones very well and is a wild card in any makeup. With the Veluxe blanket, it integrates easily. White girls – it’s your shadow! >> MAC Wedge: dull light brown, very basic. Ideal for girls with yellow and light brown skin.
I use these shades when: I just want to change the color, without leaving the hollow brown. In this case, I just want to dissolve the dark shade of the mobile eyelid and then color it with another color. Black, gray, wine, purple?
MEDIUM BROWN
MAC Cork (I mentioned it here): my favorite for color change, it is a yellowish brown that works perfectly on my skin, dissolves any base and leaves the concave super beautiful and defined, has a satin cover, which, in my opinion, is much easier to mix than matte. LOVE and I recommend it for all skins. Amazing texture like any narS, but since it’s opaque, it’s harder for me to mix than cork.
I use these shadows when: I want my concave to turn brown, or before doing the black olhão. As I taught in this tutorial here.
#ficadica: do not apply primer to the concave, this makes it difficult to stain, apply only powders to the face, so that the brush slides more easily on the eyelid and is easier to spread.
TIP
I start with the dark base up to the concave / crease of the eye
Now, with my own brush, I take the color tone and blend it into the hollow to dissolve that black, creating a gradient in the eye where it is impossible to see where the black ends and the brown begins. This process is normal, okay?
With the concave? Ready, now I go to the outer corner, I put the brush in the lying V and do a little ball movement from the inside out, I always like to raise my eyebrows with the fingers of the other hand to make the stain in this corner, I think it’s super easy (which we don’t even do when we apply mascara, you know?).
Just be careful not to go beyond the imaginary line connecting the end of the eye and the end of the brow. And do not forget to always make light movements, without pressing the brush too much against the eyelid.
Look what it looks like! With this alone, makeup already becomes another:
Then simply fill in the mark as you wish, remembering that I used black eyeshadow to show the transition of this stain (and because it is the most difficult color change of all), but of course this applies to any type of eyeshadow, be it colorful, dull, shiny? The important thing is to create this effect on the concave with a light / medium brown shade.
Well, I think that’s it, guys. . . Post giga! I hope I’ve helped anyone who’s struggling to clean up.
All other questions are left in the comments!
Kisses and good weekend 😉